Guthrie said a man should know his country like the back of his hand.
Some people spend their whole lives in the towns they grew up in — nothing wrong with that. Some people spend most of their lives traveling for their jobs from chain hotel to chain hotel, strip mall to strip mall, and don’t have a story about the American experience that I’d like to hear. Other folks may harbor a stifled wanderlust as they are beaten into their respective corners of the world in a gridlock to pay their rent and feed their children.
Times are tough all over and the upper hand, it seems, could care less about the old American Dream bending only to the bottom line. There was a time that great detail and care was placed into American design. Architecture, cars, even the way communities settled themselves into the landscape had a modicum of pride and sensibility. You see that less and less anymore in the pre-fab, slap-together, cheap-labor replacements of destroyed landmarks and shut down mom n’ pops. At this rate all we have, is all we have left. Chunks of our culture are eroded in a whitewash of “progression” and I’m afraid of what America will mean to our children’s children.
Thankfully, we have an archive of music and literature to tell our stories — an archive built by crusaders who, whether they meant to or not, put a permanent stamp on the people and places that otherwise would have remained an undocumented flicker. Our history and our time now is too important to lose to subjection and white knuckle survival. There are plenty of examples of where things went wrong that are widely available through popular music and slurped up like the last dance club cocktail by consumers who, I can only hope, just don’t know any better. But when it comes to the good American hard-luck, hittin’-hard, tour-driven troubadour, like George says, “Whose gonna fill their shoes?”
Tom Vandenavond is a contemporary ghost with a wisdom in his music that exceeds his years. His sound embodies the nature of solitary travel and the inevitable connections made from a life on the road. He has torn through his Midwest roots and created an auditory imprint of the highways and byways, truck stops and roadsides of the afforded white line spectacles of the American construct. If you listen, you can hear a long haul on the Christopher Columbus Transcontinental highway … where the DayGlo over-exposure of Los Angeles meets the desert of Palm Springs … red rocks and mesa tops before Phoenix and Tucson … the cumbersome nothingness of West Texas where a man can can bide his time only with his thoughts and AM radio…. El Paso with a glimpse of the Third World at the border of Juarez … San Antonio and New Mexico heavy with Spanish and Native American charm … a brief pass through future city Houston and the descent into the thick air of southern Louisiana stretching over the 35 along the Pontchartrain into the heart of Cajun Country … Mississippi’s Jackson County into the Panhandle….